LA Painting Lessons are available to all levels of ability, normally they manage a wide variety of subjects from still life and landscape to experimental methods. They also offer watercolor painting. Watercolors are essentially the most difficult skill for any artist to learn because watercolor painting is something you just cannot fake.

The changeability and unmanageable characteristics of watercolor make it the most fascinating and expressive choice of all. The chance to meander somewhere between competence and complete lack of control throughout a painting allows it to be probably the most engaging mediums. This, plus the fact that it’s fast, clean and portable, may make you passionate and may develop more later on. Customarily, watercolor employed merely thin, transparent washes of pigment. Some stunning, fragile paintings came from this way of thinking. Modern day watercolor, however, permits significantly greater freedom of method and material. The American Watercolor Society now allows all water media watercolor, acrylic, casein, gouache, egg tempera but draws the line at collage and pastel.

A watercolor stands out as the medium or the finishing artwork, in which the paints are constructed with pigments hanging in a water soluble vehicle. The traditional and the most common support for watercolor paintings is paper; other supports include papyrus, bark papers, plastics, vellum or leather, fabric, wood, and canvas.

Moving within the approved concept of watercolor into the world of mixed media can open up an enormous new variety of opportunities. The excitement of blending together watercolor with ink, pastel, collage and other water based media is one of the most addictive forms of expression. The process of building up, changing, editing, destroying and reconstructing allows a painting to develop a life and momentum of its own. You, as being the artist, become nearly a spectator, watching, knowing and cajoling since the painting slowly reaches life.

LA Painting Lessons requires the most basic watercolor technique called flat wash. It is made by initial wetting the area of paper to be covered by the wash, then mixing adequate pigment to easily populate the entire region. The pigment is applied to a sloping surface in slightly overlapping horizontal bands from the top down. Once completed, the wash should be kept to dry and even itself out and about, don’t be lured to work back into a drying wash, and the results are often terrible! A variation on the fundamental wash is the graded wash. This technique requires the pigment to be diluted slightly with an increase of water for every horizontal stroke.

The effect is a wash which dies out gradually and evenly. Similar watercolor technique to a wash is Glazing, but works with a thin, transparent pigment used over dry existing washes. The objective should be to change the color and tone of the base wash. Non staining, clear pigments such as Rose Madder Cobalt Blue and Auroline are ideal for glazing as they may be applied layer after layer to accomplish the specified effect. Make sure each layer is completely dry before you apply the next.

Art Ezine Source by Jodi Cressy

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